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BILL: Well, this ought to be quite a change for ya. Link to the main TOC page for all the analyses, GOT A HOME PAGE Grammarly helps you communicate confidently. Click here to make a donation. This is the Crossing of the First Threshold for Jack, since he enters the Special World inside the Overlook Hotel. Or perhaps Jack's alcoholism--for we are soon to discover he is an alcoholic. The camera then gives us a view of a grouping of seats about a television set and a second grouping of seats beside a sign in the background that is difficult to distinguish here but reads "Camera Walk". He was not speaking to Tony before brushing his teeth. As the guests tend to be older, it seems possible these two are also employees. Would you like some coffee? STUART: Ah, it sure would be THE DOCTOR: What sort of injury? Go to TOC for this film ( (which has also a statement on purpose and manner of analysis and a disclaimer as to caveat emptor and my knowing anything authoritatively, which I do not, but I do try to not know earnestly, with some discretion, and considerable thought). The embellishments employed by Kubrick are in many places not the same as at the Ahwahnee, such as at the tops of these columns. The "sha" follows the word "skiing" at about 6:12. We can go back even farther than the sound of the train to the film's opening and the curious activity around the the tunnel through which the VW passes as it travels up the mountainside, that tunnel bookended by cars that have pulled over to the side of the road, a white family station wagon preceding it and the two-tone color auto following. The idea of the past meshing with the present certainly fits well with "shining". SUSIE: Hello. Here, he's given as instead having spoken with Tony and then having brushed his teeth, which is when he blacked out. The picture is an x-ray of a quite different interior world. 21 MS Stuart's office. 47 MCU of Jack. A shower curtain is drawn across the bathtub, sunlight shining bright through a high window behind it. But back to The Smallest Show on Earth. All laugh. Home Stephen King The Shining Review. In this regard, being sophisticated and cryptic, the film has widely incited scholarly interpretation, focused on psychology (the Oedipal complex, the uncanny), philosophy (the matter of time, the nature of evil), history (the massacre of Native Americans, the Holocaust), anthropology (the coeval US culture, matters of capitalism and Western societal organization), and transtextual aspects (the reworking of tropes taken from myths, fables, and horror fiction, the films role in Kubricks poetics). On this duplicitous and confusing note, Kubrick chooses to end "The Interview" section. as in Johnny Carson. Tony is revealed to be an imaginary friend of the boy's. 29 MCU of Stuart. 33 - Danny speaks to Tony via the mirror in the bathroom. The autumnal photo in particular will seem to, as the movie progresses, give an eerie sense of the lodge's mountain being watched from afar. And he made a memorial pillar of the stone which had been his pillar. We later learn the incident occurred three years prior, and yet it's given twice in the movie that it's been five months since Jack has had a drink, so this isn't an error on Wendy's part as Jack later relates the same. 81 MS Doctor from Wendy's side. In the above quote in which Jack pleads with his son to run away, Danny says that it is almost over. Hes aware that the end is near and that soon the horrors will cease. I will come to how this works with Dick's murder in a moment, and explore the connection with the girls later. This includes alcoholism, battles against evil, disembodied villains, corruption, and insanity. So when Jack Torrance is seen reading a Playgirl in the lobby of the Overlook before he gets hired, its probably not meaningless. Jack's interview had uncomfortable information divulged him by Ullman, while Wendy's interview resulted in her relating uncomfortable information. WENDY: Yeah? A now-legendary story that King reportedly still tells at some of his book readings goes like this: Stanley Kubrick called him at seven in the morning to say that he believed ghost stories were fundamentally optimistic because the existence of ghosts suggested that humans survived past death. Danny being chased playfully by his mother into the hotel maze anticipates him being chased by his kill-crazy father. Doing so, we see Snoopy's little yellow bird friend, Woodstock, using the helium balloon to fly away from the tub in the direction of the window. In more removed shots we see on the right of the desk a medium-size bush in a floor pot, that plant having two pokey branches ascending above the rest and being about the same height as the peculiar object on the left. DANNY: No. This is stronger in the 144 version, since we know about Jacks alcoholism. 33 MCU of Stuart. Shot 427. A 197 minute read at 130 wpm. When the place was built in 1907 there was very little interest in winter sports and the site was chosen for its seclusion and scenic beauty. When the novel begins, the Torrance family is teetering on the edge. 22 MCU of Jack. Danny wears a red, white and blue pullover shirt printed with another trickster figure, Bugs Bunny, who stands beside a basketball hoop, and we recall the basketball hoop in the parking lot. As far as options for home decorating for the lower middle classes, it was a shitty period. To walk away, you gotta leave something behind, or a long story short: You Cannot Whitewash the Truth- A Conversation with Arie and Chuko Esiri, Forever and Ever and Ever: Reappraising the Score of, The only archetype we were not able to find in. Just mulling here, throwing out some ideas on how Z can be interpreted symbolically if one wonders if there is some meaning behind Kubrick changing the design. -In the same scene, Jack yells, "Honey, I'm home," a common household greeting that had broad cultural associations with an idyllic domestic scene in which a husband arrives home from work to greet his wife and family. DANNY: Tony, do you think dad will get the job? There are windows on three sides. Dressed in red union suits (she wears two, which will eventually become apparent) with a light blue checked pinafore/jumper over them, she drinks coffee and smokes, reading a red paperback with gold lettering, The Catcher in the Rye. For example, Ullmans office has a window to the outside, but there are rooms surrounding the office, making that window impossible. But it becomes perhaps relevant that there are two tunnels on the Going-to-the-Sun road in Glacier park, the west and the east, each on either side of the Continental Divide. WENDY: Yeah, I know. Later, the primary conflict is between the hotel and Danny as it tries to possess him, but he stands up to the threat. Then as Stuart continues talking about the tragedy and describes it as resulting from a "claustrophobic reaction, which can occur when people are shut in together over long periods of time" the sound is at 9:34. His hairy, red brother was named Esau. Insouciant banality is the best indication of a truly and deeply dysfunctional situation that will eat you alive at the slightest scratch of the veneer. 67 MCU Doctor. There is no door in that area through which he could have passed for the doors to the hall beyond are blocked by seating and if there did happen to be doors to an exterior patio (which there are not) he hasn't the time to exit them. As the film unfolds, the staging one will eventually view back in that area will appear at first glance to have elevators, but on closer inspection the elevators will be revealed as bathrooms. Mini stories and flashbacks included throughout the novel help readers better understand who Jack is and why the hotel is able to take hold of his mind. foreshadowing, the organization and presentation of events and scenes in a work of fiction or drama so that the reader or observer is prepared to some degree for what occurs later in the work. (16:09) Though Danny speaks with Tony's voice, Tony is referred to in the third person, which indicates Danny is Tony's actual voice. The wall right of the office door in the secretarial area is decorated with photos of the mountain as it appears over the span of the four seasons, only the snow-blanketed winter photo apparently showing the Overlook/Timberline lodge. I also wonder if the novel wasn't partly used for the antipathy of the novel's protagonist for Hollywood films and the feeling his brother had squandered his talent by going to work for Hollywood. These papers were written primarily by students and provide critical analysis of The Shining by Stanley Kubrick. One overlaying the other. Each is the same in general style, the front porch, the gliders, the rest of it. WENDY: Only about three months. Jack Nicholson is responsible for the only line from The Shining to make it onto AFIs Top 100 Movie Quotes. Hallorann finds out that Danny has his own power, the shining, and thus gives him some advice: he explains that bad things happen and leave traces, though implying that these are innocuous (as when someone burns toast); he reassures him that the things he sees through the shining are just like pictures in a book. Thus, his need consists of achieving fulfilment, something he attempts to do in a morbid way at the expense of his family. Kubrick's films are full of repetitive motifs. She isn't looking at Jack, as he's not in her line of sight. The red painted hall that she walks down just prior to seeing the river of blood is also a subliminal to this effect. Lighting a cigarette, a Virginia Slims, Wendy's hands are obviously shaking. Wanting to learn how to make their theater more popular, the couple goes to a rival theater and we see during an entertainment break an "ice cream girl" (sweets dispenser) appear on the movie screen and progress down on-screen stairs toward the viewer. I love how the shade on the lamp between the doctor and Wendy is slightly askew. The Shining essays are academic essays for citation. TONY: I don't know. will review the submission and either publish your submission or providefeedback. Cut back to the bloody hall. STUART (off-screen): schoolteacher. Cut to a hall of the Overlook with nearly symmetrically placed brown plaid chairs and radiant heaters, the bright red doors of elevators beyond. The interiors dont make sense," he said in 2012. Are we to be reminded of Peter Pan and Wendy, Jim Barrie having met the Davies children at Kensington Gardens and playing with them there? Foreshadowing. To the left of Snoopy is Mickey Mouse. The painting of the horse and railroad, done by an Alex Colville, is supposed by critics to be an expression of the question of whether destiny can be altered. Stanley Kubrick did not get along with The Shining star Shelley Duvall. Curtains decorated with Snoopy and friends hang on Danny's window. More significantly, as John Fell Ryan points out in his post The Stanley Hotels, the places Kubrick chose as influences for the interiors and exteriors of the lodge in one way or another appear to double names used in the film or Kubrick's own, such as the exteriors of Ahwahnee and the Timberline having being designed by Gilbert Stanley Underwood. Now, I'm going to ask you to do me a favor and stay quietly in bed for the rest of the day. Overall, the ghosts who appear to Jack incarnate the Shapeshifters: they are seemingly innocuous but actually subjugate him to the hotel. (5:04) A reader, Melkarth, sent me an image which shows it's an alabaster bull. The title for this section is "The Interview" and we tend to think of this title as exclusively pertaining to Jack's interview at the Overlook, but now we also will have this doctor interviewing Wendy. At the end of The Shining, Jack chases young Danny through a snow-covered hedge maze before finally dying. THE DOCTOR: What's the next thing you remember, after brushing your teeth? If you are an Australian resident, any donations over $2 are tax deductible. Kubrick takes care to unveil the lodge only a little at a time, it unfolding over the entirety of the film, and the audience's natural expectations are proven false at every turn, but so deeply embedded is the assumption that the environment will be rational that the audience rarely notices that their assumptions are wrong and the map they're constructed in their minds of the hotel, based on what Kubrick has shown them, is impossible. (5:14 crossfade from Boulder apartment ends.) On a pragmatic level, Jacks desire concerns completing his tasks, namely writing his novel, being the caretaker, and in the third act killing his family and Hallorann. THE DOCTOR: That's good, now the other one. It was in Fear and Desire, in which the film begins as it ends with the same view of the valley.